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Wie füttert man einen Esel
This poster features a color still photograph of a woman with blond hair, wearing a red checked shirt, holding a small donkey in her arms. There is a river in the background. This film is East German. This poster has visible acid burn.
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Wengler & Söhne Eine Legende
This poster features a colorized photograph of a man as he buttons his trench coat. He has a three piece suit on underneath. The image is colored in such a way as to make the man seem like a statue, caught in this pose. This film is East German.
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Die Witwe des Montiel
This poster is an illustration of a steer's skull, with horns. The eyes are in place and articulated. The poster has a brown background. This film is a Mexican, Venezuelan, Columbian, and Cuban co-production.
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Werden Sie Mein Mann
This poster is an illustration of a pair of yellow short trousers or capri pants. There are suspenders attached. The pants are walking, with an oxford on the left foot and a pink pump on the right. There is a small heart with an arrow through it at the bottom of the poster. This film is Soviet.
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Die wege der Söhne
This poster is a monochromatic black and brown print of earthen trenches. There are two color photographs of individual leaves, which are green, tipped with pink. This film is Romanian.
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Warum kann ich nich artig sein?
This poster is a designed to look like children's drawings on a child's wide ruled notebook page. They are black line drawings of a child who seems to be wearing a cast; a school satchel; a bicycle; a house, and a lorry. Some of them are colored in red, blue, and olive green. This film is East German. This poster is acidic.
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Der weite Ritt der Gelben Rose
This poster is an illustration of a strand of pearls, hanging down from the top of the poster in the shape of a noose. They are on a purple background. This film is Romanian.
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Der Widersacher des Sultans. 2. Teil.
This poster features a sketch of a man wearing a white turban. He has a beard and mustache. There are stars drawn around the portrait, and there is an ochre wash over the entire image. It is framed on a white background. This film is Soviet.
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Wenn es September wird
This poster is a simple black line drawing of a man with a big mustache. He wears a cap, and is smiling, with his eyes closed. He has red cheeks. His mustache also forms the head of a small child; he shares a smile with the man, but has his own nose and eyes. The background is dark yellow, and the logo of the Soviet Film Festival is on the poster. This film is Soviet.
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Winter Kirschen
This poster is an illustration of a half-eaten cherry; the stem is actually a white wishbone. The arc of the wishbone frames two figures, one large, one small, with the large one holding his coat up around the small one. This film is Soviet.
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Wie hätten Sie's denn gern?
This poster features an illustration of two high-heeled bedroom slippers. Each one is designed to look like a woman wearing scanty lingerie. The shoe on the left is wearing black garter, and panties; rather than a bra, there is a butterfly shaped strap. The heel is a woman's face, with dark curly hair. The left shoe is the same, but with pink lingerie, and a blonde. The image is on a white background. This film is West German.
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Wolfsecho
This poster is composed of thick black watercolor outlines, which contain blocks of color. They are combined to form the figure of a man, wearing a belt with a gun holster. He is green and yellow; exposed skin is white. The background is dark green. This film is Polish. The poster is highly acidic and brittle.
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Wohnung mit Kind zu vermieten
This poster is an illustration of an old fashioned key. The teeth of the key form the profile of a man. There is a tag attached to the key via a split ring; the tag has the film info on it. The background is light green with small, dark green circles on it. This film is Soviet.
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8. Woche des sowjetischen Kinder-und-Jugendfilms in der DDR. Vom 11. bis 18. Februar 1982.
This poster features a traditional Russian matryoshka doll. The top half is lifted up, revealing a young boy and girl inside. A piece of rolled film is hanging over the side; there is also one coming from behind the doll. This poster is East German.
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Unser kurzes Leben
This poster is a sepia toned photographic print of a man and woman in very close embrace. She has her hands on his chest, and her eyes closed. Only his chin is visible. There is an Illustrated blue dotted line border, which at the bottom of the poster forms a base for stacking blocks made from the same lines. This film is East German. The left edge is quite rumpled.
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Unter Feuer
This poster features a black and white still photo of Nick Nolte holding a camera. The image floats on a burnt orange background, which has the word "VIVA" written across it in red, diagonally. There are photographs of bullet holes in concrete pock marked across the poster and the photograph of Nolte. This film is American.
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Die unendliche Geschichte
In this poster, a boy reads from a large book by candlelight. He has a blanket over his head, and an apple in his right hand. He is wide eyed and slack jawed. The blanket forms a break to a number of illustrations from the book, such as a boy talking to a giant snail, a giant turtle with a hill on its back, and a white, furry, dog-like serpent, upon which a young boy is riding. This film is West German.
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Ein überflüssiges Leben
This poster is a graphic illustration that suggests the upper torso of a man; the shape is formed by a large grey checked pattern. In place of the head is a series of concentric, oblong letter "O"s. The image is on a black background. This film is Soviet.
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Addio, piccola mia
This poster is mainly black, except for an illustration of a lit candle, with a splash of red coming out and around the flame. There is also a small black and white portrait of Georg Büchner, the subject of the film, in the lower right hand corner. This film is East German.
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Und Morgen war Krieg
This poster depicts a crudely constructed photomontage. It is printed in a monochromatic light blue. Cut out photos of young people clapping and laughing have been placed side by side and row by row. Superimposed over this is a flat, transparent white cross with a black outline. This film is Czechoslovakian.
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Und nächstes Jahr am Balaton
This poster is composed of a horizontal photographic triptych. The top two photos are black and white. In the top photo, a blond man with wire frame glasses and a jean jacket kisses a woman with braided hair. She has on a plaid shirt, and her hand is to his face. His arm is about her shoulders. In the next photo, a woman with long dark hair and bangs, in a white shirt, has her mouth parted. The last photo is color, and shows the head and upper bodies of a naked man and woman. He has long blond hair, with glasses and scruffy mustache. She leans against his shoulder, her arm around his neck. She has blond hair and blue eyes. This film is East German.
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Unheimliche Begegnung der dritten Art
This poster is a colored pencil illustration of a man's face. His mouth is wide open. There are graphic red and blue lines outlining his shoulders and hair; above his head there are white, blue and red lines and dots that represent a spaceship. This film is American.
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Über jeden zweifel erhaben
This poster is an illustration of a faceless figure in a black judge's robe and white powdered wig, as well as white ruffled shirt. There is a purple outline around the figure, on the right. The background is dark grey. This film is a co-production of New Zealand and Great Britain.
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Der Untertan
This poster is an illustration of a man in a bowtie and stiff collared shirt. He has small waxed mustaches, and has his chin lifted in the air. The drawing is a series of thick black lines and crosshatching, making it look as though his face is tattooed. This film is East German.
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Der Untertan
This poster is a pen and ink drawing of a man in a bow tie and stiff collared shirt with a red, white, and black blindfold. He has a small waxed mustache, and short blonde hair. The image is on a white background. This film is East German.