East German Poster Database

Items

• Unheimliche Begegnung der dritten Art
  The poster is a scene from the film. It shows a crowd of people from the back, looking at a bright bank of lights low in the sky. A satellite dish is visible on the far left. The title text is a 1980s style computer font. This film is American. Box 2.
• Unter Feuer
  The poster has four still portraits of the lead actors on a black background with yellow text. Large red dots are placed about the images. Clockwise from top left: Nick Nolte, holding a camera; Joanna Cassidy, with short hair, smiling; Gene Hackman, with mustache, squinting; Jean-Louis Trintignant in light suit and ascot. This film is American. Box 2.
• Unter Geiern
  Two orange stripes with black stars run down either long side of the poster. The central image is film still of a cowboy and two Indians. Behind them is a mountain range, and another Indian in front of a teepee. The cowboy, to the left, wears a cowboy hat, neck kerchief, fringed tunic, and weapon. The Indian on the left wears long hair, headband, and beaded tunic. The Indian on the right is shirtless, and holds a tomahawk in his left arm. his right arm is outstretched, and touches the other Indian's chest. The image is black and white. This film is a co-production of West Germany, France, and Yugoslavia. Box 2.
• Ein unbekannter Freund
  The poster is a of a man and woman in very close embrace, about to kiss. He wears a dark shirt, and has brown hair and mustache. She has long brown hair, and wears red silk. Above their heads is a crystal chandelier. The image is on a bright yellow background. This film is Finnish. Box 2.
• Tag des Zorns
  The poster is a full color drawing on a light brown background. In the back are two men, dressed as peasants, each holding a sickle or scythe. The larger central figure is head and shoulders only, with short brown hair, mustache, and blue eyes. This film is Soviet. Box 2.
• 1000 Milliarden Dollar
  The upper third of the poster is a bold, smudged drawing of a man's brimmed hat, on a bright yellow background. The rest of the poster is occupied by film text and four film stills on a white background. Clockwise from top left: a man in suit and tie, facing left; a man and woman in conversation; a woman on the telephone with a stack of newspapers in front of her; an older man talking to a younger man, with his hand outstretched, in front of a group of seated men. This film is French. Box 2.
• Teufelsbrut
  The top of the poster is a black and white dot matrix image of a man and woman, in peasant dress. The woman, with a scarf tied over her head, has her arms wrapped about the neck of the mustachioed, cap wearing man. The lower half of the poster is a dot matrix pattern, blown up to a huge size. This film is Soviet, but made in Lithuania. Box 2.
• Der Teufel kennt kein Halleluja
  This poster has an image of a group of six men in riding gear on horseback, who've stopped to talk to a blacksmith. There is a small village in the background with red tiled roofs and palm trees. The men are dressed in riding gear. The background is light pink to light red. This film is a production of Italian and Spanish origin. Box 2.
• Ein Teufelskerl
  The poster is a cartoon-like drawing of a blue helicopter, with someone in army green leaning out the cockpit with a rifle. Below the helicopter is a grouping of three portraits, head only. On the left is a woman with brown hair; in the middle an older man with beard and fur cap; to the right a man with light brown hair and a black and red top. This film is a co-production of Australia and New Zealand. Box 2.
• Der Tod der schönen Rehe
  This poster is a predominantly purple image, lighter at the top half, showing a man in a suit and tie, surrounded by a group of men with arms raised and mouths open in apparent jubilation. The lower half of the poster is in such a dark purple that the image is obscured; a yellow star of David has been placed in the approximate location of the central figure's left chest. About his neck there are blotches of red and tan. The scene is outdoors. This film is Czechoslovakian. Box 2.
• Tod im Fahrstuhl
  This poster is a monochromatic blue image of a woman, wearing gloves and a brimmed hat, hands brought up to her face in dismay, looking over the splayed body of a young man in a suit. They appear to be in an elevator, as the body is draped across the threshold. This film is Japanese. Box 2.
• Tod im Netz
  This poster is a heavy crayon drawing of the sun setting across the water. The sun is formed by the "O" in the film's title, which appears above the horizon line. The poster text is placed in the sunlight on the water. This film is Polish. Box 2.
• Tödliches Schweigen
  This poster is a black and white silhouette of the lower half of a man's body. He holds a gun in his right hand. The poster has an overall splatter/airbrush effect of black. This film is Yugoslavian. Box 2.
• Tootsie
  This poster is a black and white image of Dustin Hoffman in a woman's loose fitting harem pants and top. He wears a scarf over his head, large, round glasses, and several rings on his left hand. The background is light pink. This film is American. Box 2.
• Das Tor zum Himmel
  This poster has a black and white image of four men, in Russian winter uniforms, ca. WWII, bending over a table. On the table is a lantern and papers. The man on the far left holds a pair of field glasses; the man on the right holds a flashlight. This film is Soviet. Box 2.
• Der Traum vom Eich
  This poster features a photograph of a man and woman, leaning up against an outcropping of rocks, in close embrace. He wears a dark suite and tie; she has on a light colored jacket with the sleeve pushed up. The image is framed in black border with bright pink text. This film is East German. Box 2.
• Triumph des Mannes, den sie Pferd nannten
  The poster has a black and white image from the film on a cream background. A man and woman, each on horseback, are stopped on a barren landscape. The woman has very long, full black hair, and is dressed in leggings and boots. The man wears a large brimmed hat, kerchief, white shirt, vest, and boots. This film is a co-production of the United States and Spain. Box 2.
• Die Türkiskette
  This poster features a photograph image of a man and woman, embracing. The bearded man has a large scar running across his forehead, and his tie is askew. The woman wears a large blue silk bonnet, tied under her chin with a large silk bow, to match her blue traveling cloak. They both gaze toward the viewer. The image is framed in red, and the border of the poster is blue, with red triangles inverted along the edges. This film is Romanian. Box 2.
• Die Sage von On Dal
  This poster has a large, realistic drawing of a man in a red robe, with sleeves rolled, pulling back on a bow. He has a quiver of arrows on his back. The background is ochre with triangular shapes and lines throughout the field. This film is North Korean. Box 2.
• Das Schwert des Königs Excalibur
  A text block is superimposed on a still from the film, which features a group of men on horseback, wearing medieval armor, carrying battle axes and swords. This film is English. Box 2.
• Ein spotbilliger Junge
  This poster is a tan background with blue text. The main image is a photograph of a young man with close cropped hair and a dark jacket staring intently at a marble nude of a young woman. There is another sculpture in the background. This film is Czechoslovakian. Box 2.
• Sahara
  On a bright yellow background is the silhouette of a camel. The camel's body has been replaced by a Land Rover, carrying three people with luggage on the roof. The camel casts a shadow and leaves tracks in the sand. This is a Spanish film. Box 2.
• Salut für einen schwarzen Büffel
  The poster shows a drawing of primitive buffalo in green with a thick black outline. In all four corners is a green flower with black outline. The central image is a still from the film, depicting three men in a stable or paddock. There is straw on the ground. All three men are kneeling; the one on the left is doing something while the other two look on. This film is a French and Hungarian co-production. Box 2.
• Salzige Bonbons
  Across a hot pink background are three photographs. The first cannot be determined, due to the text block. The middle image is of a young woman in a white lab/uniform coat, cutting the hair of a seated young man with a flowered smock draped over him. She holds a comb and a straight razor; they both look towards the viewer. The right image is of an older woman wearing the same flowered smock, with her hair in rollers. This is a Czechoslovakian film. Box 2.
• Die salzige Rose
  The poster is a large black and white image of a woman's face and upper torso, tilted upwards to the right. She wears a brimmed hat and an overcoat. The background is blurred, but appears to be a tree or outdoor scene. This film is a Polish and Czechoslovakian co-production. Box 2.